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My drug of choice is writing––writing, art, reading, inspiration, books, creativity, process, craft, blogging, grammar, linguistics, and did I mention writing?

Tuesday, May 21, 2013

Question: How Can I Get Pageview Numbers Like Yours? (FAQ)

You too can make your pageviews into a phallic symbol!

Short Answer: Post free porn.  (Seriously, your numbers will explode--right up until your host shuts you down.)  

Long answer:

I've dealt with some people seriously jealous and kind of pissed off about my blog's performance over the years. Sometimes even friends who have had a hard time not letting that emotion consume them. Some who feel like I'm tricking them or being unfair when I tell them what I know.

This is what I tell them: 

Write five to seven entries a week.  Make most of them 2-3 pages. Over half the entries should be original content of as high a quality as you can produce at that pace. (The other half can be a combination of trying to get people to vote on polls instead of just complaining about the results, link recommendations, personal updates, running gags, and threesome references.) Cross-post everything. Annoy your friends. Slip the occasional really awesome article onto another social media (even though they discourage self-promotion), but not so much that they notice. Ignore the friends who threaten to "mute/unfriend" you if you don't shut up. (Let them. Your other friends will take pictures of their lunches.) Keep going even though you have days where 50 pageviews seems like a big deal. Avoid mobs of your friends with torches and pitchforks.

Keep doing this.

Keep doing this.

Keep doing this.

After three or four years, get back to me.

I know that the idea of writing daily (or nearly so) for years is intimidating. Aaaaaaaaaand you don't have to do it. But you asked, and I'm telling you.

The main problem I see isn't that people working hard can't seem to improve their blog numbers. The main problem I see is that people who post infrequently and sporadically are looking for some kind of shortcut. 

There isn't one. 

I mean, besides porn.

First of all, my blog really doesn't do that well. My Facebook page is kind of jumping, but the blog it's there to promote is still pretty meh. If you live in Ukraine, you might think England is a steamy place for a sunny summer vacation, but if you live in Belize, England is an overcast popsicle. Neither of those opinions is WRONG based on where someone is from and their life experience. In this analogy there are an awful lot of Belizes. 

I self-promote for hours a day (two at least). As of early 2021, on a good month I'll do 50k hits. (It was a lot more for a couple of years, but then Facebook did a massive throttling of pages to try to get them to pay for advertising.) Usually hits per month are somewhere between 30k and 40k.

So let's keep those numbers in perspective. I'm hardly the next HuffPo or Whatever(Scalzi).

Honestly, I don't have a secret or shortcut. I don't want to channel your dad or anything ("The only place where success comes before work is in the dictionary, you little whippersnapper"), but there's just no substitute for working hard to produce good content. That's why blogging and e-publishing and the new dimensions of the publishing industry are great for writers who fucking WRITE, but are still not yielding fruit to people who don't apply ass to chair, and why a tremendous number of people who go through all the trouble of self-publishing make a pittance. 

I know a little about SEO because I'm the kind of guy who does my homework on the activities I partake in. (You should have seen me in research mode to find the clitoris.....although maybe another time.) I'm much more interested in the writing itself, so I am more concerned about how much energy and time I'm putting into things that aren't writing — like SEO and self-promotion. I'm much more interested in finding the sweet spot where I'm doing the work I want and slowly growing* than just getting "MOAR HITS!!!" no matter what. I also know that any attempts to "trick" SEO (like with keyword-rich text) are met by increasingly sophisticated search engines changing their algorithms to ignore such tricks. Google prides itself on its ongoing ability to weed out bullshit and keep good articles at the top of a search.

*These innuendo puns really write themselves, don't they?

This means the best advice I can give anyone (that will still be good advice in a year from now) is this: write good, high quality, original content as often as you can and on a predictable schedule. If you do that, your numbers will grow. Maybe not as fast as you would have hoped, but they will improve.

Check out the section in The Reliquary called Blogging About Blogging if you want access to all the wisdom and knowledge I've dropped. I'm not stingy with my insights.

Monday, May 20, 2013

Question: What's With All the Threesome and Cheerleader References? Are You a Total Perv?

The Short Answer:  Totes, yo!  You should see my porn collection!

The Long Answer: 

Well....yes, I am, but I don't usually stick my perviness in other people's faces.  Unless...you know...they ask for that sort of thing. 

So to speak.

Writing About Writing is written through a persona--a character if you will.  While "Chris Brecheen" and Chris Brecheen have a lot in common, they aren't exactly the same person.  One writes threesomes as often as possible and considers an article to be a little bit of a failure if there's no reference to one in it. The other one might not turn one down. Maybe.

If we're being painfully honest here,
I have to admit that this is WAY too suave for me.
Honestly, if you met me in real life, you'd realize that I'm pretty shy and reserve my perviness for those who have signed on. My usual approach to sexual adventures generally involves being so awkward that women realize they have to take the lead or we really ARE going to talk about the social significance of zombies vs. vampires as movie monsters all night long. I've never successfully asked anyone out. Ever. I always get turned down. Women have always approached me.

The frequency of people finding my Unfly McAntigame charming is pretty low, so it's not like a lot of opportunities fall into my lap....

...uh....

....so to speak.  (It's kind of bothering me how much these jokes are pretty much just writing themselves.)

And yeah, while I have a pretty typical heterosexual male reaction to girl-on-girl action, or the thought of being in a hottie sandwich, I only turn my Crass-O-Meter up past eleven (where instead of the actual number "11," there is a picture of Barney Stinson looking AWESOME) when I am writing here. 

Question: Did [X-event] really happen to you? (FAQ)

Yep.
That's totally me.
Short Answer: Yes.  But probably not. Although in truth, absolutely.  

Long Answer:

Writers tell the truth by lying, at least the fiction versions do, and that's what we're mostly talking about here at WAW. If I can't achieve perfect verisimilitude while lying through my guileful little writerly teeth, I'm not sure what the hell I'm even doing here. So if you're looking to fact-check me like I'm a journalist or something, I'll probably keep you quite busy, but if you listen closely, you're probably going to get more actual honesty than from most people who describe events "as they really happened."  

But yes, it probably happened. Maybe. I just may have some strange relationships with the truth.

Once in a while I write an article that isn't intended to be the usual shtick (like "Changing the Creepy Guy Narrative").  It's often way outside the realm of writing and contains events that––to me––involve enough gravitas that storytelling about them in a way that is not CLEARLY fiction might be hurtful to those who have experienced the events for real. It's usually pretty easy to tell when I'm being honest.

In general though, grains of salt. In my writing you'll find composite characters, characters who are fractured aspects of real people, personifications, fabrications, alien invasions, cloning machines, and talking cats.....just in case someone out there had it in their head to go A Million Little Pieces on me. 

So did it really happen? Absolutely. Sort of. Maybe. Undoubtedly. Did it really happen exactly the way I said? Perhaps. Probably not. Almost assuredly not. Except yeah. If I got some details wrong, it's probably because they were better off happening the way I said. Details need to know who's in charge. Did I change some facts without changing the core truth, or in fact to illuminate it? Almost certainly.  

Or...did you really think I actually lived with a team of superheroes

Question: Did you know about ____________ grammar mistake? (F.A.Q.)

Short Answer: 

No. Thanks for pointing it out.  

Long answer:

If you're asking me if I know I make grammar mistakes...IN GENERAL, that is a bit like asking Kareem Abdul Jabar if he knows he's tall. I make a lot of mistakes, actually. Copy editing is a skill with a learning curve and I have A.D.D. and mild dyslexia, so I have to work very hard for limited returns. I'm slowly getting better, but it's like tacking through the Cape of Good Hope. (Hey, I'm not too lowbrow for a sailing metaphor!) You should have seen me ten years ago. I had a hard time spelling "teh." But, I know that even though I'm better and even though I can edit my own copy if I really try, I almost always publish an article with a couple of real doozies.

In a perfect world I could afford a copy editor, but I have yet to entice one with an offer of the dollar a day I could maybe sort of afford.

I could put something here about how creative writing and copy editing are actually very different skill sets. I could match the snide tone of the emails I get (almost weekly) that say I'm not really a writer because I used the wrong team/teem (or some such error) by pointing out--with equal snidility--that proofreading is the one of the only parts of writing that can be farmed out to someone with no creative input, and how common it is for most grammar police to end up copy editing other people's creative work and scratching their heads about why their error-free prose just isn't getting them a book deal.

I could, but I won't. I'm totally a better person than that.

If you're asking me about a specific mistake, chances are I did not know about it, or it wouldn't be there. For all my problems with people being obnoxious religious zealots about grammar, my main problem is that they are obnoxious religious zealots about it--not that they are wrong. In fact, they are usually right. So
 if you're pointing out something that I've done wrong, I will be properly mortified and fix it. I might even thank you if you didn't point it out like I was committing a Cardinal sin.

Of course there are some exceptions. If you try to get me to say "persons" instead of "people,"* I'm going to make a joke about how the forties called and they want their grammar back. (Or maybe not exactly that joke, but trust me, it'll be funny and cutting.) This blog is hip and trendy....except for its use of words like "hip" and "trendy." There are also a few rules that are contested (like the Oxford comma*, putting apostrophes to pluralize single characters*, or putting S's after words like toward or afterward*) and I'm not really going to be to emotionally invested in jumping into the fray on those.  I'll let pedantic-er minds than mine fill the forums of the world with gagillions of pixels about how that's totally important stuff worth arguing about. 

I should also mention that I cut my teeth on typewriters and learned two spaces between sentences for like twenty YEARS, so I'm sorry to all you one-spacers out there. I've mostly fixed the habit, but I still double space when I'm really on a tear. I'm not saying I'm right; I'm just asking you to forgive a long learning curve.*

Oh, and I totally end sentences with prepositions* and split infinitives*. To boldly write those "mistakes" is something I'm completely unapologetic about.  

Generally, I am happy to have any mistakes pointed out. One of the main advantages of this medium is that I can go back and change mistakes. So thank you! 

*None of these are arbitrary examples. I have gotten messaged at some point about each.

Formal Prepologies

Prepologies= Pre-Apologies (in case you didn't know).

I mentioned it last night, but I'd like to say it again.  I'm going to be changing the F.A.Q.  from its current form.  Instead of an increasingly imposing wall of text, each question will link back to its own small entry.

That means I have to create those entries to give them something to link to, and that means there are going to be a LOT of small entries in the next couple of days.  So please don't stop loving me.  I'm still cute and cuddly.  
Totally a self portrait.
See how cute I am.

Sunday, May 19, 2013

Week 2: SNAFUzifying My Schedule

This next week isn't going to be any better than the last one in terms of me being fantabufuckingloustacular with my posts.  Every semester I get an e-mail from the administration saying that the last day of class will be the last day I get paid.  I will not be paid to do a study group on the day of finals.

It's like the electronic version of them narrowing their eyes at me, and saying, "Don't you dare!"

And every semester I think that my last week will be the last week of class (which would have been last week).  I try to be strong.  I gird my loins.  I eat my Wheaties.  I screw my courage to the sticking place.

And then I see their terrified little faces looking back at me like Fiver and Blackberry going tharn in front of the big rig of their onrushing final.  And I feel my mouth asking them before I can stop it (with a voice that sounds like it's not mine and is coming above me) if I ran a study group before their final if they would come.  And I see the look of relief flooding their faces.  And I realize that I've committed to another week (and kind of a rough one at that).

The worst part about it?  It's totally worth it.  I'm a huge sucker for my students.

Anyway, I should probably work the end-of-semester shenanigans into the blog schedule since it has pretty predictably been the point where I really start to break down in my ability to post articles on a regular schedule.  I'm still writing every day, but my ability to do six hours of it on a predictable schedule is compromised.

I'm going to keep updating up some of the tabs and the F.A.Q., and there wil still be content coming every day (but Sundays--and next Monday since it's a bank holiday).  I'm going to keep working on A Demon's Rubicon, and there may be another part of that going up this week.  I also absolutely need to do the final bit of my Dundracon write up since I'm going to have Kublacon to write up soon.

Apologies in advance to folks on RSS feeds or other systems that update every time I post.  There may be a lot of redundant posts in the next few days as I straighten things up.

Friday, May 17, 2013

A Demon's Rubicon by Chris Brecheen

A Demon's Rubicon
By Chris Brecheen

In the dreams I am back at Canyon High School, though it might be more accurate to say that I’ve never left.  I am always alone.  Behind the G building, I do not find my geeky cadre of friends in an animated discussion about why the “clearly superior” Wall of Fire is a fourth level spell, but Wall of Iron is a sixth.

“A wall of fire does damage!  A wall of iron just sits there.”

“You can walk right through a wall of fire.  Right through it!”

“Sure, if you’re an unmitigated badass.  A wall of iron doesn’t do damage.  What’s going to deter you from trying to get past it more...some kind of metal or a wall of FIRE?”

“Let me drop a wall of iron on your head and you tell me how you feel.”



“Yeah, like I’m just going to stand there while you do tip it over on me.  It's not a weapon.  You don't get a strike roll.  If I want to move, I just step out of the way.”

“A wall of iron is permanent.  ‘Hey, we’re out of iron.  What ever will we do?’  ‘Here you go.’  Try doing that with fire.  You just end up with a blacksmith looking for a cleric to heal his third degree burns.”

But this conversation is the echo of a memory. My friends are not here.  The locker alcove is empty and silent. Everyone has moved on.

Everyone but me.

I wander the halls between building complexes and the portable classrooms (which ended up being permanent) and the other portable classrooms (which also ended up being permanent).  The sunlight shines off the tinted windows, gleams across the many athletic fields, and then casts the school in a surreal saturation of technicolor green grass, red bricks, and splashes of orange, yellow, and royal blue.

However, even though it is the middle of the day, the campus is deathly still.  No students.  No teachers.  No patrols of administration saluting each other with a closed fist over their heart and the words “Aeterna vigilantia!”  I can smell the lawn clippings of the freshly-mowed fields, but the sound of the riding mower driving its endless vigil is conspicuously absent.  Not even the hot, dry Santa Ana winds rustle the trees or bushes.  The only sounds at all are the echo of my own footsteps against the rusting lockers behind the math building or the swish-swish of my sneakers on the the bright green grass of the quad.

Clip clop.  Swish swish.  Clip clop.  Swish swish.

Sometimes I know I am completely alone.  Other times I know the buildings around me teem with desperate students taking horrific finals and somewhere is one that I’m late for.  But always the campus is an unending labyrinth.  There is no half-doughnut drop off for busses and cars to the north.  There are no stairs down to the street on the west end.  If I struck out across the field toward White’s Canyon, I will just see the same buildings ahead of me I just left behind.  The doors are all locked, as well.  I can wander endlessly, but I will never get where I am going.

And I will never leave.

The reason I am there is always different.  Sometimes I’ve returned to the band to finish out that final semester that I never took.  I had to choose band or choir due to a scheduling conflict with college prep government class.  Mr. Gilpin has decided to let me redeem myself for my eighth semester betrayal...but I haven’t practiced.  Sometimes I need to take trigonometry the way I was supposed to when I started high school--before I began to fail math classes with a tenacious predictability.  Sometimes I am trying to find James to apologize for stealing his father’s Penthouse magazines and blaming his little brother.  Sometimes I know (the way you just know things in a dream) that somewhere I am missing the most important final of my high school career...but I don’t know where it is.  Sometimes I cannot remember which locker is mine or its combination, but I know that if I do not return the book trapped inside, I will never graduate.  Sometimes I am in some sit-com’s desperate fourth season plot device: I must complete one last obscure class for my graduation to stand, but for some reason I have not attended it all year.

But always these dreams have three things in common: one, there is something yet undone, and I must finish it if I am ever to escape, two, I am utterly unprepared for the encounter, and three, the reason I am there is real.

Sort of.

Oh the reasons are not really real.  Not really really real.  I haven’t once been called to come back to Mrs. Milne to retake biology in order to have my graduation stand or had to face a disappointed Mr. Burrell that I aced his algebra classes and then went on to bomb geometry.  But they have enough of a ring of truth to keep me trapped inside.  If gooshy purple aliens had landed in the senior quad, the administration had been turned into Cybermen, or even if I’d been failing English, I would have laughed, realized I was asleep, and tried to lucid dream up a kinetic ion pulse rifle--not to fight the aliens or Cybermen, mind you, but just to use on Mrs. Franklin’s face.

Mrs. Franklin was a horrible teacher and I have every reason to suspect a horrible human being as well.  My freshmen year, right in front of Candice (sweet Candice), she leaned down to check my homework one Tuesday morning, and I shook my head (the way I always did) to tell her it wasn't done.  Her face split into the grin of a field commander who has vanquished an enemy with a flanking and feint of pure genius.  “Well, this is good news for me,” she smiled.  “You are now mathematically incapable of passing this class.  No matter what you do, I get to have the supreme pleasure of giving you an F.  I’ve been waiting for this moment, and I just want to thank you.  You made my day.”  I watched Candice (sweet Candice) as she watched me.  Her face curled into one of those weak smiles of pity. Mrs. Franklin's glee, her timing, her obviously rehearsed speech--they would put her on the business end of my dream ion pulse rifles for decades to come (though it would not be until I started teaching that I realized just how unprofessional she had been to delight in the failure a student and even glut her appetite for sadism at their expense).

No, in these dreams, the reasons I am trapped ring true--true enough to trick me.  True enough that I never start to wonder how I got to Santa Clarita Valley in the first place, think to try reading, or end up learning to fly.  I really did feel like I betrayed Mr. Gilpin to leave band after seven semesters.  I really did lose a book and my locker combination.  I really did blow off math classes, lose friends to my dishonesty, and graduate more as the punctuation on the end of a sentence than as some kind of accomplishment.  I really did give up, fail, and not really try for four years, and they patted me on the back anyway for successfully running out the clock.  I really did leave that campus crawling with personal demons.

And like most demons, they weren’t going to just let me walk away.

In my twenties, and even into my thirties, the dreams came often.  Once or twice a month, I woke tangled up in a tight knot of bedcovers, feeling small and introspective, trying to remind myself that I really did finish high school.  I really did.  I really did.  I really did.

But seriously, I really did.  I graduated in early summer of 1993 amidst a plume of gold and green squares.  I tossed my cap into the air because.....well, because that’s what you did. (Though I did not toss it too high, and I watched its arc carefully.  The tassels made for popular rear-view mirror adornment, and they had a tendency to wander off if left unattended).  The band played Pomp And Circumstance.  The principal told us he was proud.  And the parents cheered.

I was pretty sure my mom was going to make a joke about being surprised I’d made it.  That was the sort of sarcastic quip she loved.

“How the hell did you only have one cavity?  I’m fairly certain you don’t even know what a toothbrush looks like.”

“How did you get an A in that class, kiddo?  You spent less time doing homework than the dog.”

“Hey Chris, do you think you might go to swim practice this month, or do you just imagine I enjoy giving my money away because your swim coach is cute?”

“You’re getting to march with the band?  You only practiced like twice.  You sure your instructor didn’t ask you to just hold your trombone and not play?”

So I was ready for it when I walked up to her after it was all over.  She stood next to my girlfriend, Heather and just pressed her lips into a tight, flat line.  “I am so proud of you,” she said.  “I am just so proud of you.”

My decision to leave band, my difficulties in math, my lackluster performance in any class but English….my noodle limp loyalty to friends.....none of these things stopped me from getting my very own dangly 93 rear view mirror charm.  But when I wake from the dreams where twisted mockeries of my alma matter’s halls twisted and stretched in labyrinthine horrors it would take me long minutes of replaying my own graduation to remember that I had left.

It would be years--decades really--before I realized why I went back to high school so often in the dead of night.  And it would be Lenore the Anthropology Instructor that finally showed me.

She was in her mid sixties with a frizzy shock of hair that drifted up from her head in apparent defiance of gravity and somehow achieved a color directly between barn red and hot pink.  She was one of those radical types who decried any form of ethnocentrism or cultural elitism and then the next class talked about how backwards FGM, machismo, and Arab misogyny are.  She would drift off on feminist tirades about how any sex initiated by a man in our society was essentially an act of rape.  And her main point about race relations in this country boiled down to the fact that there has been no meaningful progress of any kind--socially or politically--since the antebellum south and that saying there is means that you have been fooled by the illusions.

“Well, I see you got a double helping of the Kool-aid,” she said to me when I brought up Civil Rights and the Thirteenth Amendment.

Lenore also loved David Carradine.  I mean this woman had a serious clit boner for the guy.  That’s the only way I can explain what went on in that class.  When she wasn’t on one of her tangents about how she “wouldn’t be surprised” if HIV/AIDS was engineered by the U.S. government to kill black people, she would play us anthropology videos narrated by David Carradine.

It wasn’t like she just liked one particular series that he happened to narrate.  She had multiple shows from multiple different sources that all involved his dulcet tones doing the voice over.  I mean maybe he was just the “go to” guy when you wanted your anthropology documentary narrated, but I always imagined that she collected his works the way some people collect old Beatles albums or rare stamps.

This particular day we were listening to David voice over the coming of age rituals of many cultures. From the crocodile hunt of the Dassaanech tribe to the Quinceanera of the Spanish speaking world to the Bar Mitzvah of the Jews, most cultures have a way of marking and celebrating the moment when a child becomes an adult. 

“It is an idea lost in western culture,” David said (or something similar). “We scoff the meaning of an arbitrary age or event, and yet in our bones we have lost a sense of our own maturity. Extended childhoods and an increased sense of aimlessness plague our young adults who don't know when they should be grown up.”

I can’t remember exactly what David said, but I seem to recall it involved some pretty unflattering things about twenty-somethings who still didn’t feel like adults.  If only we could have dodged the draft and studied music theory like he did we would all have hair on our chests and be able to walk proudly if someone did the five finger death punch on us.

But there, in crazy Lenore’s class, listening to the twenty-fifth or so David Carradine voice over video, I realized why my dreams were plagued with desolate images of Canyon High School.

I could look back on so many moments where I changed, grew, maybe even grew up.  They exist in my mind as a cavalcade of trivialities.  The one moment that perhaps should have been significant, wasn’t.  I had those dreams because I hadn’t won.  I had those dreams for the same reason I assumed that my mother was going to be sarcastic and yet, she caught me off guard with her pride.

She was proud of me, but I was not particularly proud of myself.  Instead of a coming of age ritual, I had only a cluttered pile of moments in which I think I wasn't quite the same at the end of them as I had been at the beginning.

Continue to Part 2

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