Potpourri

State of the Blog-  The big news was 5,000 page views this last week.  Woo hoo!  I've also picked up enough readers that starting to put up polls might be useful to get feedback on which features work and which don't.

June was down from May, but that's because I stopped writing regular updates on weekends. The fastest, easiest way to get hits is to post updates daily, but you get into a quality/quantity signal/noise issue, and the burn out factor can be pretty high.  Hopefully I'm taking W.A.W. towards more "short controlled bursts."

I wrote out ahead of myself last week, and that's the only way to fly.  The writing was better, the editing was better, and the pressure to write and post was far less.  Unfortunately, I cannibalized my lead time when I went to Texas to see my mom, so I have to start over on that.  Once I have a week or two of lead time, I will work on putting some fiction up here.

Big things are coming.

Potpourri-

That's a whole lot of whup ass to risk ignoring.

This is an amazing Ted that cuts to the core of connection, empathy, and compassion.  This isn't about art particularly, but it is about all the things upon which art and humanities are based.  Her ideas about being seen leading to vulnerability are particularly poignant to young writers struggling against tidal waves of rejections when they first try to be seen. I knew I would love it in the first two minutes when she said: "Maybe stories are just data with a soul."

Vulnerability as the birthplace of creativity: powerful stuff.

It makes me think of how many writers say when you're writing the best stuff of your artistic career, your heart will be pounding because you are afraid.

I could watch this twice a day and be a better artist for it.

These are years old, but always good for a laugh.  The Worst Analogies Ever Written in a High School Essay.

Grammar rules you can ignore.  Those are my favorite kind!

Pixar has 22 rules of storytelling that are absolutely brilliant.  You may find Pixar's storytelling to be a little formulaic, but most people need to learn the basics before they think themselves above it.

[Do you want to be featured in potpourri along with a few words from me about how awesome you are? Do you know a great writing link that I should share? Please send it to me at chris.brecheen@gmail.com, and I will post it along with a shout out singing your praises (unless, of course, you don't want one). There are four caveats to this. Please read them before you send me stuff. If I've posted anything that you feel is "yours" (or "your client's" --eeep!) please just tell me what you would like me to do. Most everything here is some kind of meme, so it would be quite difficult for me to do proper attribution.]

Poll: Do you read the Potpourri?

So I have a poll over to the right.  It's a question about the weekly feature I've done since W.A.W. started where I put up a bunch of links I've found.  If you're not sure what the Potpourri even is, you can go down to the Reliquary and check, but it probably means you should check the "don't read" box.  :-)

I'd really love as much feedback as possible because I'm finally dealing with enough readers that I can START to shape the blog based on feedback.  (Not much sense doing that when the readership is 15, but now that it's closer to triple digits, it might actually help.)

Bonus points for putting some kind of reason in the comments.  I'd love to know WHY I'm missing (and how to fix it) if I am, rather than just THAT I am.

Seven Signs That "Good" Advice Actually Sucks

Trust me sonny, make it about fighting the commies
and it'll be a best seller!

Writers get a lot of advice.

In fact, there are only a few ways to get more advice than by being a writer.  1) Mention on Facebook that you think you're getting a cold. 2) Tell people on any social media ever that you are trying to lose weight. 3) Ask a room full of Jewish mothers what a good career choice might be.  4) Mention casually to someone with a Ron Paul sign in their yard that you don't vote because you aren't sure what it all means.  5) Ask a "nice guy" who's in love with you or your partner what you should do after a potentially relationship-ending fight.  6) Be out of work for more than seven minutes.  7) Tell anyone, ever, at any time, anywhere, even if you are at a black tie formal dinner for the women's auxiliary at the local church, that you feel a little irregular.

But other than these few situations, there is no way to get more advice than by being a writer.  People are constantly--and I do mean constantly--telling me...

What I should write.  ("You need to try a supernatural BDSM thriller set in a wizardry college.  Call it 50 Shades of Hogwarts.")
When I should write. ("You know what you should do?  You should wake up at four-thirty in the morning and give yourself an espresso colonic irrigation.  That's when Thoreau said he wrote.")
Who I should write about. ("People love those cat pix, unicorns, dry humor and wizards.  You should write about a wizard lolcat who rides a cynical unicorn everywhere!")
Where I should write. ("You should start writing at Starbucks...even though you have A.D.D. and don't drink coffee.  All the creative people totally hang out there.")
What style I should write. ("You should combine postmodern, chick lit, science-fiction comedy, high fantasy, and linguistic minimalism with a hybrid of gothic and Victorian romance, but with the whole thing in iambic pentameter.")
How I should write. ("You should outline your plot.  That way your characters can be railroaded even when they want to do something else.")
How to succeed. ("You know what you should do?  You should make one of those viral youtube videos where you have your belly button singing the name of your book!")
What to do next. ("You should get a PhD in literature and teach college.  Teachers have lots of discretionary time.  They just sit around all day.")
What the publishing industry "really" wants. ("I bet if you printed your cover letter in Comic Sans on a singing card, that would really get their attention.")
How to fix your writing. ("You know what you should do?  You should change the point of view. That can fix anything.  OH!  And even though it's important to the story that it's an old man looking decades back at his childhood, you should put it in present tense like The Hunger Games! ")
What your story "totally" needs. ("You should add a sidekick who only talks in cliches.  Also, the museum conversation would be better if a car suddenly drove through the wall with the minimalism paintings on it.  Isn't that meta?")
What to read (which is code for what to write like). ("Oh you should read those "Girl with the Dragon..." books. I bet if you wrote like that, you'd make a fortune.")
How long it should take you to be published. (If you were really interested in writing, you'd be published by now.  You should take the fact that you're not published as a sign that this is not your true calling, and stop wasting your time.")
Other careers. ("You know what job you'd get to write in a lot?  Lawyer.  You'd make a great lawyer!")

In fact, writers get so much bad advice, sometimes it's tough to tell what's actually good.  There's a tendency to assume that anything that doesn't involve serializing a series of novels about Nyan Cat might contain a nugget of wisdom and so writers collect advice like great smelting machines, forever trying to separate the dross.  If there's nothing in the advice about writing a clone of whatever the latest run-away bestseller is, it can be hard for us to not automatically assume it must be good.

Here are some ways to tell when you are dealing with "good advice" that actually sucks:


1- The advice is way too general to really apply to you.  
You are a creative person.  You are an artist.  You are a writer.  And you are probably some specific kind of writer like a poet or a fiction writer.  A lot of advice is great for people...who are not you.  Keep that in mind.  Great advice for someone else might suck if you implement it.

Example: People are constantly telling artists to get less sleep because that's what productive people do.  "I made a million dollars by learning to sleep four hours a week and turning my psychotic breaks into popular anti-psychotropic-drug public service announcements!" Artists know better than to listen to this kind of crap--they will work better with sleep.  They'll remember more dreams, have more neurotransmitters, be more creative and whimsical, have greater concentration to chase inspiration, and be in "survival mode" less than if they try to slowly adjust themselves to 4 hours a night or some crap like that.  Artists who DO sleep less, usually just do.  They didn't employ any form of gradual deprivation.  They just happen to be people who are able to be high functioning on less sleep.

Here's another: I always hear fiction writers being told to diligently outline their writing before they put pen to paper.  You know who doesn't suggest this?  Fiction writers. A few of them outline, most don't, and hardly ANY advise you that it's the key to success. They know that railroading plot leads to characters being forced into situations and ham-handed characterization. They suggest a conceptual idea, a few "plot grenades," and maybe a very general thought about direction, but then letting the characters drive the story. In most expository writing, however, it is very useful to outline, and a writer who just gets going without at least a mental map is actually somewhat foolish.  So this is great advice for most writers, but for a fiction writer, it can do more harm than good.

So make sure the advice you're getting is really advice for you.


2- The source is really giving advice to themselves.
We've all seen this kind of thing happen in sitcoms.  A person starts giving advice.  Within seconds, you realize they're not really talking to the one they're giving advice to.  Because it's a sitcom it has to start with a kid asking what kind of ice cream confection he should get and end up being subtext about the advisor being more receptive to anal sex or strangely specific advice like: "before you know it you'll end up selling shoes and dreaming of your days as a high school football star," or something.  Because that's what sitcoms do.

But this actually does happen all the time.

People can't experience anything but their own lives, and so their interpretation of the world around them is like a huge Rorschach inkblot test.  Everyone looks at you, your life, your circumstances, and your situation through the filter of them.  Some people are just worse about adjusting for that filter than others.  So you get people just out of break ups telling you to "get over your pain and get back out there" or people who can't find a job telling you "to just don't give up, no matter how many times they say no."  The advice might be applicable, but these people are really talking to themselves.

Keep that in mind.


3- The source is really giving advice to someone else
If ever advice begins with some varient of: "This is like I told my daughter...." it's probably not actually advice to you.  It's advice to that person's daughter (or son, or mother, or partner, or whatever...).   As humans one of our double edged swords of higher cognitive thought is filling in the blanks when we have part of a story.  On the plus side this lets us do things like track and hunt and guess the ending of Monk episodes.  Unfortunately it also leads to stereotypes, racism, and shitty advice.

There are people out there who are burning up with the flame of their really awesome advice, and it they can't give it to the person they want to, they'll give it to someone else.  If your situation starts to resemble some other situation, a lot of people will fill in the gaps with the situation they know about.  If your situation reminds them of their daughter's, suddenly you are taking the place of their daughter in their mind.  They fill in the blanks they don't know with the situation they DO know, and before you know it, these two situations are almost identical in their head (even though they aren't really).  And so of COURSE this absolute fucking platinum encrusted emerald of advice that they want to give their daughter would be applicable to you!

I say: "I enjoy the job I'm at because it's part time enough that I get to focus on writing.  I just wish I could make a little more money per hour."  The response is: "You and my husband are a lot alike.  He can't find work either.  I just keep telling him he needs to take some of those computer classes because it's all about computers now.  You should take some of those.  It'll make your resume shine.  Couldn't hurt right?  Here are the forms!  I'm bringing them to my husband, but I have extra."


The thing to consider about 1-3 is that good advice--really good advice--will be directed at YOU.  It will take you into account.  Even the Armani suit of advice won't be that good if it doesn't fit, and even the Armani-suit-in-your-size of advice won't be THAT good if it hasn't been tailored specifically to you.


4- The advice isn't flexible
Strangely inflexible advice is usually bad advice.  Humans are a species with large genetic diversity and huge cultural diversity.  There really is no version of a one-size-fits-all advice once you get past things like "Drink enough water," "Avoid standing in fire," or "Don't text in the theater."

Not only that, but strangely inflexible advice is usually a sort of social projection.  Someone assumes because something worked for them, everyone ever should be able to get the same results.  It's why you constantly see white, heterosexual, able bodied males talking about how "anything is possible" on their motivational tapes, and a strangely conspicuous absence of paraplegic lesbians of color who say anything even remotely similar.

We're glad you overcame your A.D.D. by looking at Rothko prints.  It doesn't mean it will work for everyone.  We're glad you lost fifty pounds on Atkins, but people who use a lot of brain power need carbs in their diet.  We're glad you made a bazillion dollars selling BDSM porn disguised as barely altered Twilight fanfic to bored housewives, but it doesn't mean retooling Babe in the same way is an equally good idea.  We're glad you found a good time to write by taking a nap from noon to four everyday, going to bed at eleven and writing from three AM to seven AM, but some of us have families or day jobs that make that a little rough. (Stephen King--and I love the guy; I do--is guilty of this.  He advises writers to work for six or more hours a day if they are "serious," despite the hundreds of authors who have been fabulously successful writing in far more constrained time frames.)  We're glad it works for you, but your advice to 7 BILLION other people shouldn't be "You will have the exact same results as I did."

Good advice accounts for our diversity.  Bad advice dressed up as good advice does not.  So while you might get very good advice about how writing every day can overcome the mercurial nature of writer's block and "waiting for inspiration" that advice does not demand you write only in the morning or at night.    Or you might be told to write upon first waking, but you also get the explanation that this is a "tabula rasa time" for your voice in terms of linguistic engagement, so you can adjust the advice to fit you by writing after a long afternoon nap or just making sure you don't really talk to anyone or read anything while you have the shower and coffee you need to be able to function.


5- The advice is outdated
Publishing is an industry that is changing monthly.  Amazon or iTunes are constantly altering the game with their quests to be a bigger asshole, hog greater market share, and lock in everyone ever into a distopian nightmare of book smuggling.  Some fossil that is still thinking the Kindles won't catch on because of the "smell of books" is not going to give a new writer advice they should listen to.  If the advice seems to fit the last generation of the writing business, it's about a hundred and fifty developments behind the curve of being useful.

Seriously, these people might as well be Bible-copying monks claiming that this "newfangled Gutenberg Press isn't going to change anything."

We've watched a lot of book stores go out of business in the last couple of decades, but there are a lot left too--even little local ones.  The ones that changed with the industry are still doing fine.  Big chain stores put out their own e-readers and turned a whole wall into "The Moleskin Journal Wall."  The ones that stood in the face of the Tsunami and said "the smell of books will save us" actually only managed to get out "The smell of b--" before they were filing bankruptcy.  Little mom and pop bookstores make sure they have next day delivery for special orders, they host readings and community events, and get people into the shops in inventive ways.  They're still kicking.  It's those shops that never believed Amazon's speedy delivery, and then later e-readers, could hurt them that are dropping like flies.

Some advice is timeless.  Advice about creativity and inspiration never go out of style.  Some of the earliest artistic advice we have from the Greeks is as useful today as it ever was.  But anything about the publishing industry, monitizing writing, or market trends should be considered carefully through the lens of current relevance.


6- The source isn't reliable
When I was young, and dinosaurs ruled the Earth, GETTING information was the trick.  There were these things called encyclopedias, and not everyone had them, and if you wanted to know about something, you had to go to the library and look that bad boy up in a giant wall of filed index cards. Don't even get me started on the process to look up a magazine article, and that weird lady with the baleful eye who somehow manned the periodicals room at every single library. However, it is no wonder that a modern college education focuses heavily on how to evaluate the SOURCES of information, and how to pick reliable ones.

We can all tell that we probably shouldn't listen to advice if it begins with "I saw this thing last week on History Channel about aliens..." or "I was reading this blog a couple of years ago by a psychic healing guru about how particle physics and chaos theory explains human parthenogenesis..." but sometimes it takes a more critical eye to determine if the source of advice is reliable.  Some of the sweetest, most well intentioned advice, that comes from a genuine place of wanting to help, actually sucks because of the source.

They just don't know what they're talking about.

Who is the person you're getting this advice from?  What do they know about creativity? What do they know about art?  What do they know about writing?  What do they know about fiction?  All advice sources are not created equal.  A successful science fiction novelist probably has better advice for a sci-fi writer than the CEO of Burger King who worked his way up from the Lot and Lobby shift at the Spokane store thirty years ago and is doing a seminar to promote his new set of CD's.  Your fellow student in a writing program can probably give you better advice than Les Brown, no matter how awesome the latter makes his sound.


7- The source isn't impartial
If someone's lips are moving, they are probably not actually working against their own self interest--at least not unless they are in a romantic sub-plot of a situational comedy.  I'm not saying everything everyone ever says is only selfish, but not a lot of people will give you advice that might turn around and hurt them.

Sometimes your source isn't uninformed.  Sometimes your source is just biased.  Maybe they have a particular outcome that would really hurt them to see (like your success) or maybe they have a particular outcome they really want to see (like your failure or their success at your expense).  It's not a nice thing to think about, but it's a very naive thing to forget when you're considering where advice is coming from.

A non-impartial source isn't always malevolent. A white, upper-middle-class trust fund baby who doesn't really "need" to work and won't really "need" to either make some money writing or get a real job. and who loves literary fiction, might give the advice that an MFA program is the best move you could possibly make.  They're not trying to trick you.  It really is the best move....from their perspective.  They're just a little biased towards their own situation and maybe a little clueless about how yours is different.  Just like a single parent struggling to raise two kids under a mountain of debt might give you advice that you really should be in freelance writing or get a solid career going for a day job before you think about fiction.  This is kind of like #2 up above, but is less about them giving advice to themselves as just not realizing their situation has biased them against giving advice to others.

But there's a darker side to biased advice, and you can't afford to forget about it.  You can't EVER afford to forget about it.  Some people don't want you to succeed.  And some people very much want you not to.   They're out there.  They exist.  It sucks, but they do.  They flat out want you to fail. They may not be as obvious as advising you to do something epically stupid, but they might have an awful lot to say about how difficult your journey will be if you do suchandsuch.

Their motivation may be something as broad and nebulous as them not wanting you to succeed in chasing your dream--because they gave up on theirs.  Or it may be as specific as the fact that you will both be competing for the same fellowship next year.  Usually it's somewhere in the middle--just someone who wanted to be a writer themselves trying to convince you the path is too hard (when what they're really doing is trying to assuage themselves that it wasn't their fault that they didn't make it).  I would love to tell you that you live in a magical sugarcane world with melted chocolate rivers and gumdrop mountains and that no one ever intentionally gave someone shitty advice to sabotage them, but that's not the world we live in.  And writing is not an endeavor exempt from petty jealousy and envy and a lot of people who will sharpen their knives against you if they see you starting to make headway that maybe they didn't work hard enough to achieve.  Be careful when you consider advice from someone who might have a reason to see you fail--either an immediate and definite reason or a deep psychological itch.


If your advice passes muster in these categories and you're still reluctant to pay attention, you might be ignoring good advice. I've seen a lot of people blow off some of the best writing advice out there because they are are rationalizing their excuses or looking for justification to do whatever they wanted to in the first place.  ("Write every day" is pretty good advice if you want to be published and make money. "But then it would feel like a job!" Wait, isn't that what you want????)  If your advice comes from a knowledgeable, unbiased source, it is tailored to you (or flexible enough that it could be) and isn't outdated, you should probably pay attention.  It might be the rare nugget of good advice we writers actually get.

But mostly.....crap.

Milestones, Progress, and Invitations--Thank You Everyone!

Wow!  We just hit 5000 page views.  I'm breathless with gratitude towards every one of you.  This is such an amazing project, and it keeps getting better.

I know I get excited over numbers that a real blog can pick up in an hour or two, but it's really exciting to watch the numbers go up--not just the aggregate numbers but also the numbers per day.  Even though I started taking weekends off, it's possible that July (post off-weekend decision) might have comparable numbers to April (pre off-weekend decision).  I wake up these days, and before I've even posted anything, I see that I have more hits than I used to get all day long.

It's very exciting.

Remember, if anyone ever wants to guest blog, I want you to!  You have something to write about writing (or art or inspiration or motivation or anything even peripherally related to writing), but maybe you don't have QUITE enough to start your own blog, please drop me a line and we'll work out a day.  I don't mind being disagreed with either.  If you post is titled "Why MFA's are 10 kinds of awesomesauce, adverbs really do suck, and Chris Brecheen is a pretentious n00b who should shut his pie hole!" I will totally publish it.  (Though, in that particular case, I might write a small refutation article the next day.)


I will also cut and paste this out of my Frequently Asked Questions (In this case, "frequently" is twice.)

Q- How can I support Writing About Writing and it's struggling, yet devilishly cute and cuddly author? If I add up all the time spent being marvelously entertained, as well as having my life and understanding of writing enriched, by this website and its talented and amusing writer, it would be longer than a directors cut of the Lord of The Rings trilogy, and I paid $39.99 for that...even at Costco during a sale.  I feel I should give back for all the joy and wit W.A.W. has brought to my life.

A- Well there's the obvious: flowers, chocolates, promises you don't intend to keep....  Look, I'll go ahead and profane the purity of my art (~cough~).  Right now I'm working 15-20 hours a week on W.A.W. for the average of about seventy-five cents.  That breaks down to just under four cents an hour. The most amazing and supportive thing you could do is send me a couple of bucks. I'll feel ten feet tall and walk around like the guy in Assassin's Creed with my arms spread wide in a totally-not-incognito-strut-walk for at least a month. Baring that, turn your Adblock off for Writing About Writing. (If you right click on the icon, you can turn it off for JUST this site.)  My ads are usually about MFA programs, self-publishing, the latest Scifi/Fantasy novel or something relevant and often kind of cool. I want to be clear I am NOT asking for clicks on those ads.  (I could get into trouble with Google for soliciting clicks.)  Do NOT click the ads unless you see something you're really interested in.  I just know probably 75-80% of people have Chrome or Firefox and use some kind of adblock, so if you want to support me, turn it off. Maybe you'll see something interesting. If you have no money to give and you refuse to look at ads, you could always spread the word.  Repost an article to Facebook or Twitter that you find useful or funny, put it on Pintrest, or whatever would help it get out there to more people.  Most of my traffic is still from my friends, so sharing makes a HUGE difference to me.  I've doubled my page views before because ONE person shared.  Or maybe recommend W.A.W. to a friend you know loves writing.  Also, giving anything you like a +1 Google would be great because the higher number of +1's I get, the higher the site comes up on a keyword search.  Hey, and if none of that sounds like your cup of tea, just drop me a comment and tell me you like what I'm doing. Sometimes I go weeks without a comment, and just knowing I "hit" would make me happy.

Writers on Patriotism (Thursday's Three)

Writers--that is to say good writers (who are different from prolific writers, popular writers, and even skilled writers)--question things.  They question everything.  That's their job.  They look at the truths you hold to be self evident and they ask themselves "is this really self evident at all?"

The first thing that writers start to question is those ideas around them that seem woven into the fabric of the culture itself--the memes that others accept without challenge; those things repeated so often that they "feel" like facts, and they feel "natural," but they break down when examined.  (Like the idea that a bowl of cereal would be absolutely disgusting if made with human milk, but is perfectly acceptable and normal if the milk is from a COW.)

Naturally, one of the first things they encounter is the idea that one country is better than another.  Usually expressed in the astonishingly simplistic and egocentric sentiment.

Patriotism is your conviction that this country is superior to all others because you were born in it.

George Bernard Shaw


But before you hate on writers too much for not letting pride swell their chests every time they see your native flag, you should probably also understand that they come away from the process of examination with the bullshit burned off.  Their examination is a crucible, and what is left after they scrutinize the claims of those who do not question is that which is pure, and usually closer to the truth.  Writers point out that the emperor has no clothes.  They call their country to be better, not because they hate pointing out its flaws, but for the same reason that a parent drives their child to excel.  Their love doesn't blind them to the faults they see.  It is a more pure love.  It is a more real love.

The highest patriotism is not a blind acceptance of official policy, but a love of one's country deep enough to call her to a higher plain.

George McGovern

Patriotism is supporting your country all the time, and your government when it deserves it.

Mark Twain


I love America.  I can't help it, I do--she's just got too much going for her to not love.  As a writer, I see her faults though, and they are many.  Some are like a cute little overbite, and others are  a gash running deep down her cheek that festers and weeps.  But she is beautiful.  Her soul is woven of higher principles and ideas that no one had ever tried before--ideas as revolutionary as the ability of a people to govern themselves.  She has the ability to change without needing to be replaced, and that is extraordinary.  And change she does.  Slowly, and often painfully, she lurches towards her promise of equality in an expression that her progenitors could not even have foreseen.

See what I mean about unblind patriotism?  Remember that before you are too hard on some writer calling bullshit on the other kind.

Vacate. Shun. Vacation!

I. Lister will bring you his segment on Friday this week as the entire Writing About Writing staff is taking the day to celebrate the Independence and Love of America...

...by detonating enough explosives to blow a fair bit of it into atoms.

Techomancy and Angels

My friend Matthew (a writer big in the local community and reading scene) loves to post the scene below on his Facebook. I was reminded of it as I flew home from Texas. Last night, coming home, I chased a sunset--took off from Houston around 8:15, and landed in Oakland at just after 10.

When I think of magic, one of the things I think of is where we will be in a couple of generations, and what we'll be able to do then that we now can't even fully imagine. Things we don't even know we haven't considered yet. And I think backwards as well to people just a few generations ago who didn't really wrap their head around the technomancy we would be casting today. Like flying west in a tube of metal through the troposphere.

Like three and a half hour sunsets.

I watched the sun the whole time. I read a bit, but my eyes kept going back to the window and the horizon. Every one of those moments of magic, with the brilliant oranges, and violets, and vermillion smudges across the sky stretched out for hours and hours. And between our descent and deceleration, the last little pinprick of visible light slid under the horizon as we slipped back down through the clouds to the California coast.


I love HBO's version of Angels in America. I love the actors they cast--every one seems to have their role written for them instead of the other way around.  I love the long, stirring soliloquies. Marie Louise Parker is not the only big name who knocks it out of the park.  I love it's paradox of reverence and absurdity. But mostly I watch it when I am feeling particularly sideswiped by someone who says that fiction has to be realistic to truly impact our lives. Maybe they were particularly condescending or particularly harsh or particularly talking directly to me, but they got to me somehow about "what is art" or "what is worthy of fiction" and I worry that they might be right.

Then I pop this in the DVD, and I remember...magic isn't something you have to be afraid of when you write. Tropes and cliches, certainly. Plot over character, maybe. But not magic and mystery and angels and all manner of unrealistic stuff that they say dilutes the impact of "real" fiction. Because this movie will hit you where you live in a dozen socially relevant places all at once rip your heart out and leave you broken, and then...when you have nothing left to give, it restores your faith.

And it will have ghosts and angels and prophets and magic the whole time and never once apologize for any of it.